MUSIC APPRECIATION
MUSIC APPRECIATION
PROJECT: MUSIC RESPONSE
Remember—experiencing music can involve listening, responding, participating, and exploring. In this project, you'll employ techniques of listening and responding as you experience music that's new to you. For this music response, you'll take on the role of a music critic as you listen to the music.
OBJECTIVES
? Use engaged listening techniques while listening to music.
? Record your responses to the music.
Part 1 - Engaged Listening
Listen to at least twenty minutes of classical music. Try to pick some pieces that are "outside your comfort zone"—in other words, music you don't usually listen to in order to make yourself concentrate, evaluate, and grow musically. You may choose a style or group from the list below or find another option that's approved by your teacher.
Orchestra—any symphony orchestra
Examples:
London Philharmonic Orchestra
New York Philharmonic
Boston Pops Orchestra
Vocal Group—a small group or choir that performs classical music on a regular basis
Examples:
Celtic Woman
Il Divo
King Singers
The Cambridge Singers
Harvard or Yale Glee Club
Mormon Tabernacle Choir
Soloist—an opera or classical singer
Examples:
Kathleen Battle
Rockwell Blake
Andre Bocelli
Placido Domingo
Dmitri Hvorotstovsky
Jessye Norman
Luciano Pavarotti
Samuel Ramey
Instrumental—a small group or soloist that performs classical music
Examples:
Berlin Philharmonic Wind Quintet
Canadian Brass
Dorian Wind Quintet
Empire Brass
James Galway
Kenny G.
Ruth Laredo
Yo-Yo Ma
Itzthak Perlman
Orion String Quartet
Arthur Rubinstein
Takacs Quartet
Attending a live concert in order to listen to the music would be ideal. However, you may not have access to a concert, so listening to a recording would be fine as well.
Reminder!
Engaged listening means fully engaging your mind in order to give full attention to the music. Don't forget to minimize distractions around you, focus intently on the music, and if you're not at a live concert, be willing to listen to portions again, if necessary.