The ‘Stage and Screen’ production chart

follow the instruction Assignment description The ‘Stage and Screen’ production chart #1 is to be completed and turned in on the same day as paper #1. The production chart will guide you through a detailed review of both the live and filmed productions that you have viewed in preparation for the first paper. This assignment will give you a clear road map, a resource where you can easily find ALL of the information and examples necessary for the successful completion of paper #1. Goals To begin focusing your attention on aspects of the specific production rather than plot derived material that could be discerned through a simple reading of the play/film script. To create a detailed resource that will aid in constructing paper #1 along with future discussions/analysis of performance mediums and specific productions. Steps Download Production Chart #1View in a new window (this is an editable document) Briefly review the chart prior to viewing the live and filmed performances to begin focusing your attention on the production concepts that you will outline in paper #1. Complete the production chart (it is highly recommended that this be done immediately or soon after your viewing as you will be heavily relying on specific examples from the productions in order to successfully complete both the chart and your first paper). Note: Please refer to pages 198-200 in your textbook for detailed description/definitions of 'stage types'. Follow the production chart directions closely. Note: You are only selecting ONE area of design to discuss in relation to both the live and filmed productions. All other design questions may be left blank or deleted in your final uploaded document although you will be asked to briefly consider the design area your choice in relation to the others, so don’t ignore these aspects during your viewing. The ‘answer cells’, to the right of the questions, are expandable. You will likely find that you need additional space in certain areas but attempt to keep answers brief; bullet points are also acceptable in this format. Remember: You will have the opportunity to elaborate upon your examples when you construct your paper. Rent one of the following films. Note the release date/director: Chicago. Dir. Rob Marshall. Perf. Renee Zellweger, Chatherine Zeta-Jones, and Richard Gere. Miramax. 2002. Les Misérable. Dir. Tom Hooper. Perf. Hugh Jackman, Russell Crowe, Anne Hathaway. Universal. 2012. The Producers. Dir. Susan Stroman. Perf. Nathan Lane, Matthew Broderick, Uma Thurman. Universal. 2005. Attend one of the following live theatre events in Seattle (out-of-area students please contact instructor to find/approve selections in your area). Keep in mind that you must see two live performances (one for each paper). Paper's #1 and 2 will be compared to ensure that the two performance requirement has been met. Since this is a compare/contrast paper, you may want to watch your film and play of your choice within the same week. You will need to plan ahead to be sure you see the show in plenty of time to complete the assignment. Do your research: choose a show you think you will enjoy or learn something from. my paper is finished and I only want the writer finish the chart. I attach the chart and my paper in Upload files. Student’s Name: Instructor’s Name: Class Name: Date when Due: Compare and contrast live theatre and filmed drama In most cities in the world, people entertain themselves using filmed drama in the form of movies and live on stage theatre. People choose between the filmed movies or the live on stage theatre. The filmed drama and live theatre are both entertaining but vary in terms of the entertainment levels. The difference between the two arises from the manner they are presented, and the way audience perceives them. With the main aim of the live theatre and filmed drama being entertainment, it is important to attain a high level in order for more people to be attracted. The difference between the filmed drama and live theatre comes in the variations in quality and perception. The history of watching cinema is traced from the filmless actions, plays and drama. For the class assignment, I watched a live theatre as well as a filmed drama. The experience is different in both situations. For instance, in a live on stage theatre, the actors have an emotional connection with the audience and are able to read their moves effectively than the filmed drama. The live on stage theatre offers the chance for the audience and actors to communicate verbally and non-verbally. The distance between the emotions of the two parties is closely linked with both the actors and audience controlling the environment. If the actors are presenting a joyous scene, the audience will naturally respond happily and encourage the actors. For example, in a comedy live on stage, the actors crack jokes as the audience responds positively (Sontag). The most important thing is the aspect of communication between the actors and the audience. On the other hand, watching a filmed drama lacks the aspect of communication between the actors and the audience. The films are developed in such a way that there is no response. The actors do not know if the audiences have received the movie in a positive or negative way. However, since the filmed drama is being sold in many places, the spectators can acquire them and watch them at home. The filmed dramas have an advantage since the audience can rewind the film for clarification or more entertainment. The live on stage theatre cannot be reviewed by the audience. In addition to that, the experience is much different from the filmed drama that has no emotional connection with the audience. The natural aspect that is found in the live on stage theatre is absent in filmed movies (McAuley). It is up to the audience to be careful while watching different incidences since it depends upon them. The medium of transmission of the filmed drama and the live on stage theatre varies a lot. The filmed drama is played through a screen for the audience to see while the theatre is live on stage and one room. In the filmed drama, some of the recorded scenes are removed to fit the theme of the play being presented. As a result, not every action by the actors is presented to the audience due to technical reasons. In addition to that, the most important aspects of the event are displayed. On the other hand, the live on stage theatre allows the audience to witness every action demonstrated by the actors (Winston and Tandy). The performance is real, and everything is displayed. In other words, the real event is shown to the audience. Besides that, the audience may cheer the actors to influence the intensity and standard of the experience. Another big difference between production for the camera and performance on stage is the location of the audience by the actors. The performance on stage involves audience positioned 100 feet or more from the performers. Besides that, the performers must make sure that the audiences are able to see and hear in order to enjoy. As a result, the event is more enjoyable due to the distance from the other. In the camera production for filmed drama, the actors can only move and speak to the people in the scene because the camera is placed in a position to clearly see the individual and the microphone can access the voice. If the camera is three feet away, the actor speaks as if they are three feet away. The reality is reduced when the microphone and camera is being involved in the scene since there is no audience to motivate the actors. In addition to that, the reality is reduced in camera production by adding lighting, score and the presence of the camera. The real life situation is experienced in the in te live on stage reality where the performance is natural (Edgerton). The film actors in television shows are expected to be natural to the camera as if they perform to a live performance for the natural audience. The material of the play is different from stage and camera acting. The stage performers are normally expected by the audience to create a repetition of the material especially when the play is becoming more popular among the audience. After performing the play several times, the performers become more familiar with the content. When people know the material used in the stage performance, they always want to hear and see it the way it is written since they are familiar with it. The words of the play become iconic, and the performers have the pressure to maintain accuracy in order to entertain the audience. On the other hand, the television or filmed drama material is not familiar to the audience. In most cases, the words change until the production is over (Sontag). Therefore, the actors have the allowance to make accuracy mistakes without any impacts. The nature of the characters in a filmed drama and live stage performance is differentiated by the iconic characters and performances. The critics and audience in most cases compare the past versions and standards of performances and the current nature. Since many stage performers have been seen over and over as I witnessed in the live comedy, the audience accepts them and do not feel better with their absence. In the film drama presented on the screen, producers and directors look for an individual to fit the character they have created. There is no other person who has played it before so there is no reference to past performance (McAuley). To develop the film drama characters is easier since the character is being created and there is no reference. During a stage performance, the directors can get in as one comedian leaves the stage to welcome the next. That motivated the audience especially if they know the character is great. It does not create interference, but it acts as a medium of transition between the actors. In a filmed drama scene, the characters are the only individuals who act for the camera but not the directors or the producers (Edgerton). Their entry into the view of the camera can interrupt the film unless it is written in the script. Conclusion Stage performance and film drama are two different types of experiences that are admired by people in the world. The two performances give different experiences to the audience. In the live performances, the actors and the audiences have an emotional connection where they form conducive environment cooperation. In addition to that, acting for the camera is different from the performance on stage. The actor is expected to act naturally as if he or she is not performing in front of the audience. In addition to that, a live performance is cheered by the audience while the filmed drama is not. The audience gets familiarized with the material while the filmed drama lacks familiarization. Work cited Edgerton, Gary, R. Westerns: The Essential 'Journal of Popular Film and Television' Collection. New York: Routledge, 2012. McAuley, Gay. "Exploring the paradoxes: On comparing film and theatre." The Australian Journal of Media & Culture (2013). Sontag, Susan. "Film and Theatre." The Tulane Drama Review (2012): 24-37. Winston, Joe and Miles Tandy. Beginning Drama 4-11 Third Edition. Chicago: Routledge, 2012.